Oil On Canvas, Real Flavor of Old Masters

All Gerrit van Honthorst 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
95805  
Adoration of the Child, Gerrit van Honthorst
  		 Adoration of the Child   circa 1620(1620) Medium oil on canvas cyf
2439  
Adoration of the Shepherds, Gerrit van Honthorst
  		 Adoration of the Shepherds   1622 Wallraf-Richartz Museum, Cologne
56053  
adoration of the shepherds, Gerrit van Honthorst
  		 adoration of the shepherds   mk247 1622,oil on can vas 64x74 in,164x190 cm,wallraf richartz museum,cologne,germany
23993  
Apolllo and Dianana (mk25), Gerrit van Honthorst
  		 Apolllo and Dianana (mk25)   1628
75543  
At the Staatliche Museen, Gerrit van Honthorst
  		 At the Staatliche Museen   St Peter Released from Prison. At the Staatliche Museen, Berlin. Date 1616-1618 cyf
2441  
Childhood of Christ, Gerrit van Honthorst
  		 Childhood of Christ   1620 The Hermitage, St.Petersburg
43139  
Christ Before the High Priest, Gerrit van Honthorst
  		 Christ Before the High Priest   mk170 circa 1617 Oil on canvas 272x183cm
79814  
Concert Detail, Gerrit van Honthorst
  		 Concert Detail   between 1626(1626) and 1630(1630) Medium Oil on canvas cyf
79714  
daughter of Frederik Hendrik, Gerrit van Honthorst
  		 daughter of Frederik Hendrik   1647 Medium Oil on canvas Dimensions 302 x 194 cm (118.9 x 76.4 in) cyf
67313  
den tvivlande thomas, Gerrit van Honthorst
  		 den tvivlande thomas   se
84324  
Der verlorene Sohn, Gerrit van Honthorst
  		 Der verlorene Sohn   1623 Medium Oil on canvas Dimensions 125 x 157 cm (49.2 x 61.8 in) cyf
79062  
Friedrich Wilhelm, Gerrit van Honthorst
  		 Friedrich Wilhelm   1647 Medium Oil on canvas Dimensions 302 x 194 cm (118.9 x 76.4 in) cyf
45662  
Frobliche company, Gerrit van Honthorst
  		 Frobliche company   mk186 1622 Munchen, old Pinakothek
80168  
Henrietta Catharina, Gerrit van Honthorst
  		 Henrietta Catharina   1647(1647) Medium Oil on canvas Dimensions 263.5 x 347.5 cm (103.7 x 136.8 in) cyf
79540  
Merry Fiddler, Gerrit van Honthorst
  		 Merry Fiddler   1623 Medium Oil on canvas Dimensions 107.2 x 88.3 cm (42.2 x 34.8 in) cyf
83219  
Portrait of Amelia van Solms, Gerrit van Honthorst
  		 Portrait of Amelia van Solms   1630s Medium Oil on canvas Dimensions 73.4 x 60 cm (28.9 x 23.6 in) cyf
76742  
Smiling Girl, Gerrit van Honthorst
  		 Smiling Girl   Date 1625 Medium Oil on canvas Dimensions 31 15/16 x 25 5/16 in. (81.2 x 64.3 cm) cyf
2437  
The Concert, Gerrit van Honthorst
  		 The Concert   1624 Musee du Louvre, Paris
2440  
The Concert, Gerrit van Honthorst
  		 The Concert   1625 Galleria Borghese, Rome
76760  
The Concert, Gerrit van Honthorst
  		 The Concert   Oil on canvas, 168 cm x 178 cm cyf
20358  
The Concert (mk05), Gerrit van Honthorst
  		 The Concert (mk05)   Canvas,66 1/4 x 70''(168 x 178 cm).An overmantel from the Palace of Nordeinde,The Hague.From the collection of the Stadhouder,The Hague,1795 INV
76539  
The Concert Detail, Gerrit van Honthorst
  		 The Concert Detail   1626 - 1630 Medium Oil on canvas cyf
85589  
The Denial of St Peter, Gerrit van Honthorst
  		 The Denial of St Peter   1612-1620 Medium Oil on canvas Dimensions 150 x 197 cm (59.1 x 77.6 in) cyf
21721  
The Incredulithy of St Thomas (mk08), Gerrit van Honthorst
  		 The Incredulithy of St Thomas (mk08)   c.1620 Oil on canvas. 125x99cm Madrid,Museo del Prado
33689  
The Incredulity of St Thomas, Gerrit van Honthorst
  		 The Incredulity of St Thomas   mk86 c.1620 Oil on canvas 125x99cm Madrid,Museo del Prado
95466  
The Liberation of St Peter, Gerrit van Honthorst
  		 The Liberation of St Peter   between 1616(1616) and 1618(1618) Medium oil on canvas cyf
2438  
The Merry Fiddler, Gerrit van Honthorst
  		 The Merry Fiddler   1623 Rijksmuseum, Amsterdam
78855  
The Merry Fiddler, Gerrit van Honthorst
  		 The Merry Fiddler   1623 Medium Oil on canvas Dimensions 107.2 x 88.3 cm (42.2 x 34.8 in) cyf
2436  
The Tooth Puller, Gerrit van Honthorst
  		 The Tooth Puller   1628 Musee du Louvre, Paris
20356  
The Tooth Puller (mk05), Gerrit van Honthorst
  		 The Tooth Puller (mk05)   1628 Canvas,51 1/4 x 73 1/4''(130 x 186 cm).Acquired in 1930
20955  
Utrecht (mk05), Gerrit van Honthorst
  		 Utrecht (mk05)   1590-1656 Christ in the Carpenter's Shop ca 1620 (Inv No 5276)Oil on canvas 54 x 73''(137 x 185 cm)(Ex coll.P.P Durnoi,Leningrad 1925)
81788  
Willem III op driejarige leeftijd in Romeins kostuum, Gerrit van Honthorst
  		 Willem III op driejarige leeftijd in Romeins kostuum   1654(1654) Medium Oil on canvas Dimensions 116 x 93 cm (45.7 x 36.6 in) cyf
Gerrit van Honthorst
1590-1656 Dutch Gerrit Van Honthorst Galleries Gerard van Honthorst (November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century. Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes. The queen of Bohemia, sister of Charles I of England and electress palatine, being in exile in the Netherlands, gave Honthorst her countenance and asked him to teach her children drawing; and Honthorst, thus approved and courted, became known to her brother Charles I, who invited him to England in 1628. There he painted several portraits, and a vast allegory, now at Hampton Court, of Charles and his queen as Diana and Apollo in the clouds receiving the duke of Buckingham as Mercury and guardian of the king of Bohemia's children. Charles I, whose taste was flattered alike by the energy of Rubens and the elegance of Van Dyck, was thus first captivated by the fanciful mediocrity of Honthorst, who though a poor executant had luckily for himself caught, as Lord Arundel said, much of the manner of Caravaggio's colouring, then so much esteemed at Rome.



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